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New site? Maybe some day. Username: SPAM Filter: re-type this (values are 0,1,2,3,4,5,6,7,8,9,A,B,C,D,E, or F) Message: UBB enabled. HTML disabled Spam Filtering enabledIcons: (click image to insert) Show All - pop Select Color orange orange-red crimson red firebrick dark red green limegreen teal silver sea-green deeppink tomato coral purple indigo burlywood sandy brown sienna chocolate FONTXXSmallXSmallSmallMediumLargeXLXXL :DG: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Char† ‡ ‰ ♠ ♣ ♥ ♦ ‾ ← ↑ → ↓ ™ – —   ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­ ® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ À Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û Ü Ý Þ ß à á â ã ä å æ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ b i u  add: url  image  video(?) : post by arilliusbm at 2014-06-04 09:04:20 Blackwater Park was the beginning of Mikael's inflated ego, and the beginning of the end of Opeth. I first got into Opeth because of the acoustic guitar work. MorningRise was the first album I heard by them; and to me, that is Opeth. Blackwater Park is their crowning achievement with the layered metal sound, and Deliverance is one of their heaviest albums. Everything after, including Watershed and that fagget album Ghost Reveries is absolute trash, but your age group eats it up like it's real Opeth. It's not nostalgia, it's just better music. As for Heritage.. Well, If I want to listen to 70s prog, I'll listen to 70s prog. Wobbler still shits all over Opeth for modern Nord prog.

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