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New site? Maybe some day.
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I don't care. Guitar, bass, drums, cameras, whatever.
All the talk about cabs in the other thread made me want to put my set up in perspective.
Guitars:
Main:
ESP LTD MH-1000NT (Seymour Duncan JB/59 setup)
Backups:
Epiphone Les Paul Standard (Dimarzio Tone Zone/PAF Pro set up [bridge/neck])
BC Rich Neck-Thru NJ Series Mockingbird (Dimarzio Evolution pickups)
Signal line from guitar to amps:
guitar to Whirlwind A/B/Y switch.
from A to:
Korg DTR-1000 Rack Mount Tuner to
Rocktron Hush Super C Rank Mount Noise Reducer to
Mesa Boogie Dual Rectifier to
Mesa Dual Rectifier 4 x 12 slant cab
from B to
ISP Decimator Noise Redution Pedal to
ENGL Powerball (v2) to
Avatar Straight Cab. Custom with 2 Celestion G12H-30's and 2 Eminence V12's in an X pattern.
only thing in the FX loop is a Boss Digital Reverb/Delay pedal (RV-3)
All units powered by Furman Power Conditioner rack unit. SKB 6-space rack unit.
Got all Monster cables with the exception of one Mogami.
Also use D'addario strings.
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I don't expect anyone to care, I just got bored and decided to share. |
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Oh, and I do run those two amps together. It's fun to be excessive. |
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I have a Shure Beta 58a, Beringer 16 channel mixer, P.O.S. Pyramind 600w head (temp), and 2 Ross 800w cabinets.
just cause im a vocalist doesnt mean i cant participate. |
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Guitars:
ESP LTD MH1000NT (emg dual 81 setup)
ESP LTD MH400NT (dual 60s, I'm selling it to Mark though)
Into Shure UT14 pro wireless
Into Boss BCB60 powered pedal board Which runs:
Boss Tu-2 tuner pedal
Boss MT-2 metal zone
Boss NS-2 noise supressor
Hum/ground loop eliminator
Output A into:
Crate Gt3500h shockwave with gt4x12 cab
Output B into either a second Gt3500H shockwave, or a Mesa Tripple.
All planet waves cables
Elixir nano web strings
Dunlop Jazz 3 picks. |
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PA:
Behringer PMX5000
into 2 Peavey PV215 speaker towers
With Shure sm58 mics
bass Rig:
ESP LTD B404
into Hartke VX3500 |
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guitar
Fender showmaster tele
looking to get a gibson explorer soon
pedals
boss chromatic tuner
boss super overdrive
electro harmonix big muff pi
boss super shifter
electro harmonix memory man
snarling dog crossroads a b switch
heads:
music man hd 130
ampeg v-4 (modified with 6L6's and a bias adjuster)
cabs:
Emperor custom cab
Marshall jcm 900 1960b (selling this)
peavey 5150 (selling this definitely)
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Bass guitars:
-Spector Euro LX 5-string
-Carvin XB75 5-string fretless
-some kind of crappy Yamaha bass
Furman Power Conditioner
Alesis 3630 Compressor (also crappy)
Ampeg B2R Amp
Ampeg 4x10 Classsic Cab
what I really want though is one of these:
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dude from "The Internet" (ex-Nothing Dared, Nothing Gained) plays through this head and like 8 2x15s. Pretty fun. |
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with Presley-
Ristola 4 string> boss tuner>boss odb>fulltone bass driver>boss flange>dunlop crybaby bass wah>boss DD6 digital delay> Ashdown ABM500 EVOII>Bergantino NV610
With Easter Bloodhounds
1978 Gibson Grabber>same peddle board as above>Traynor YBA200>Berg.NV610
peddle board is made by NYCPeddleboards and is powerd with the VoodooLabs brick.........
back up bass is a mid 90's mexi pbass with RioGrande vintage pup and a badassII with custom paint buy me.. |
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I hope to be buying a 1985 Gibson Explorer bass this month |
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my axe of dominance
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i have some peavey 4x12 cab that can handle 700 watts, trace elliot 250s head and i have 3 basses: yamaha rbx180 with modified duncan pickup, ibanez sr485 (busted headstock), and my new squier vintage fretless jbass. the squier sounds so much better than any bass i have ever owned. |
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this is what I normally rock:
cameras:
Nikon D2x
Nikon D2h
Nikon D100
Nikon D70
Kodak SLR/n
lenses:
nikon 70-200VR f/2.8
nikon 17-55 f/2.8
sigma 8mm f/3.5
simga 12-24mm f/4.5-5.6
keiv 35mm f/2.8 T/S lens
flashes:
3xSB-800 nikon
nikon R1C1 macro kit (don't own a macro lens :( )
extras:
2x AF teleconverter
2x non-AF teleconvter
macro extention tube 55mm I think |
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Winter WF-540Q (tuned B standard)
Ibanez RG 520QSTB (tuned either C# std. or D std.)
into
Behringer V-Amp Pro (looking to retire this to my home studio)
Rocktron Hush Super C (in FX Loop)
BBE 482i Sonic Maximizer (running stereo post v-amp, pre power amp)
Rocktron Velocity 100 Power Amp
into
POS Peavey 412 (that needs to be set on fire and thrown off a cliff)
the V-Amp is controlled with a Behringer FCB-1010, and everything is powered by my Alesis Powertrip-8 Power Conditioner, all mounted in a 6 space SKB Roto Case |
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bc rich usa handmade neck thru beast
ibanez rgt42dxfmtlf neck thru
(both with emg 81 in the bridge and 85 in the neck)
fender american double fat strat
fender american jazz bass
mesa boogie tri axis pre amp
mesa boogie strategy 400 power amp
2 marshall 1960a cabs
soundcraft ghost 24 channel analog console
iz RADAR 24 track
FMR RNC
2 studio projects C1's
sennheiser md421
2 shure sm58's
akg d112
2 akg c1000s's
novation remote 25
m-audio keystation 88
emu e4xt ultra sampler
dual 2.5ghz g5 with 2 gigs of ram and 2 250 gig drives running digital performer, reaktor, kontakt, peak, moog modular V, max/msp, traktor
motu ultralite
motu fastlane
motu 2408 mkII
2 technics sl 1200mk2's with ortofon om dj carts
vestax pmc 25
allen&heath mix wizard 16 x
just got an endorsement deal with madison amps too so i'll probably be picking up a divinity head and a couple straight cabs and some PA speakers from them |
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i just got a compression/sustainer pedal too wich makes my bass sound like a poppy fretless.
but as in in the picture:
03 5 string warwick B.O thumb bass with emg j p'ups and DR lowriders.
Legion 2x10 and 1x15
BBE sonic max
SWR Sm-400S
someone said they have a ristola i had a 5 string for a while.
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i made this exact same thread about 3 years ago.........
drums:
tama rockstar 5 piece
paiste dimensions and innovations cymbals
iron cobra double pedal
tama metal works 14 x 6.5 snare
recording/PA:
alesis hd24
mackie 1604
groove tubes "the brick"
bunch of mics
peavey sp2 (pair)
yamaha sm12
qsc rmx 850 power amp
qsc rmx 1850 power amp
crown ce2000 power amp
guitar:
schecter omen 6 deluxe
line 6 12" 75 watts
and more stuff i forgot. |
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Gibson SG Faded Special in red
Peavey Bandit 112 combo amp
4x12 Crate cab
Boss Metal Zone and Phase Shifter pedals
Some sort of Yamaha guitar in natural finish I don't remember the model of right now
Hofner semihollow bass(looks like an Epiphone Dot) in vintage sunburst with broken buzzing humbucker pickups and a 30" scale
Fender bassman 30w practice amp
Peavey Blazer 15w practice amp
Bunch of drum shit I don't know the name of and don't care |
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I have two kits
one is a a Tama Rockstar kit, my first kit ever but it still sounds awesome
Metallic Grey
10" 12" 14" (toms)
22" bass drum
Tama hardware (mostly)
14" Pacific Piccolo Snare
14" Rogers Snare (with an awesome gold sparkle finish)
Tama Iron Cobra Single and Double Pedals
My NEW kit i got is PRETTY SWEET and sounds massive even though its a Fusion Kit
Its a Mapex and i got it at a steal for $420 w/hardware included..PLUS my gf helped me buy it (she rules)
Its awesome because its got a free standing floor tom which my Tama kit does not, which allows it to be way deeper and in turn sound bigger. The finish is also an awesome matte black swirl. The pic doesnt do it justice at all. It also has a 20" bass drum that sounds like a fuckin cannon. The toms are 10" 12" 14"
Cymbals:
14" Sabian AAX hi hats (which i'm trading soon for my friends' 14" Zildjian New Beat hats)
17" Zildjian A Medium Crash
18" Zildjian Z Custom Rock Crash
21" Zildjian A Custom Medium Ride
18" Zildjian Z Custom China Crash
I use Vic Firth 3A's for anything not Metal/Heavy, but for the Heavy Stuff I use Regal Tip Alex Van Halen Signatues |
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Remo Emporer Heads on toms and snare
Evans EMAD on the bass drum
the EMAD is the best fuckin head on the market for bass drums |
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whatever guitar i can plug in, works for me. |
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sacapapadoo said: i just got a compression/sustainer pedal too wich makes my bass sound like a poppy fretless.
but as in in the picture:
03 5 string warwick B.O thumb bass with emg j p'ups and DR lowriders.
Legion 2x10 and 1x15
BBE sonic max
SWR Sm-400S
someone said they have a ristola i had a 5 string for a while.
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give me your rig |
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Black Ibanez git-fiddle w/ a middle finger sticker on it
White Memphis bought at a pawn shop for $50.00 w/ Motorhead 'Snaggletooth' and "Tough Shit" stickers...it's a piece of shit but I love it
Black Squier P-Bass w/ white pick guard and Misfits skull, Incantation logo and "People Suck" stickers
A Peavey Bandit 112 amp
A Boss "Metal Zone" distortion pedal
Some wires to plug the shits in
A Borg drum set bought at a Sam's Club
That's my fuckin "gear" |
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well arent you just fucking crust/kvlt/tr00z0rz |
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I am the crustiest most tr00 kvlt mo-fugga on RTTP.
No I'm not :( |
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Guitars:
Peavey Raptor Plus [aka piece of shit] but has a nice purple finish
Jackson Dinky with Seymour Dunkins
Schecter C1+ with EMG 81/85
Pedals:
Ibanez DE7
DOD Grunge (modded to sound like a bomb is going off)
Digitech 300a (i use this just for the whammy/ an easy solution for hooking up two amps)
FBV4 foot controller
Amps:
Line 6 Spyder II 75 watt (it works for now i guess)
Peavey Rage? (practice amp)
soon: Peavey Valve King or 5150
Strings/ MISC:
currently
on the Jackson: a combination of GHS boomers 9's and Ernie Ball
on the Schecter:blue steel
one Monster Rock
2 monster standards
an old Peavey Cable
Computer stuff:
Reason 3.0
Logic Express
Garage Band with first plug-in
Live 5.2
Soon Either Cubase or some version of Protools
Axiom 49 Midi Keyboard/ Controller
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My gear consists of some fun stuff
Drums:
7-piece Pearl Export kit (I only use three of the pieces)
18x22 Bass Drum - both heads are Evans EMAD
10x10 tom - heads are Evans G2
13x13 free standing tom - heads are Evans G2
Pork Pie Lil Squealer Snare 5 1/2x12 (which is beyond gorgeous)
All Double-braced Pearl Hardware
Cymbals:
Zildjian 13in Mastersound Hi-Hats
Paiste 20in Full Ride (bell is phenomenal)
Zildjian 17in Z-Custom Crash
Zildjian 14in A-Custom Fast Crash
Zildjian 6in Zil-Bel
Zildjian 9in Ice Bell (when Nic lets me use it)
Sabian 18in China
Wuhan 12in CHina
Zildjian A-Custom (hand-crafted down to a 7in bell)
DW 9000 Double Bass Pedal
all sticks are Vic Firth 7a Nylons
Recording Equipment
Boss BR-600
Shure Mic 4-pack
3 SM-57's
1 Beta 52
and I'm on the lookout for a new drumset |
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Some of this is in need of replacement, but:
Carvin DC125 / Jackson logo'ed.
Hamer Californian
Epiphone LP Special II (my first guit)
Bass parts mutt
Laney VC50
Behringer VAmp2
Monster Cable
D'Addario .10-.52 strings
Dunlop 2mm Gators |
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Line 6 floorboard
Monster Cables
D'Addario 11's
Dunlop yellow tortex picks.
The abilty to make rock.
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Guitars: Dean Z and a POS Ibanez RG.My Amp is a Vox Valvetronix,that is plugged into my home made Cab,with two celestion g12 vintage30s and 2 no name speakers.Gets the job done. |
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ooooh this is fun...
guitar:
ESP EC1000 Eclipse w/ dual EMG 81s
no backup :(
strings:
d'addario 10s
chords:
monster cables
pedals:
Boss Tuner
Boss Noise Supressor
Ibanez Tubescreamer (not sure if im still using this)
amp:
Peavey XXX w/ new JJ 6L6's
(i dont care if you bash these amps, mine sounds almost as good as the 4 bazillion dollar rig at the top of this post
Peavey Cab that im getting sick of
oooh and a brand new SKB guitar case!!! minus my sticker collection ;) |
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forgot about my Monster Power Conditioner |
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PS...this thread was done before, last year, I believe it is titled 'Rig Pics'. |
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yes... but a new year = new rigs? i think? |
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bc rich JRV NT
w/ green dimarzio x2n -
(no neck pick up),
TU2 chromatic tuner,
NS2 noise supressor,
BBE sonic stomp,
mesa/boogie dc-5
(w/ new groove tubes) - 6, 12AX7 & 2, 6L6's,
&
vader 4x12.
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RichHorror said:
Rich you've made me laugh in histarics twice today. good work! |
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kramer baretta fx404sx (duncan jb/59)
ibanez rg321 (stock.. just got it)
ampeg vl1002 with groovetube 6550's
carvin 412 cab
a bunch of pedals i don't use:
digitech metal master
digitech overdrive
ibanez de-7 delay/echo
ibanez cf-7 chorus/flanger
vox v-847 wah (sucks)
danelectro mini EQ
dunlop 1mm nylons
GHS boomers
monster and planet waves cables, a couple no-name cables |
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MadOakDevin said: RichHorror said:
Rich you've made me laugh in histarics twice today. good work! |
It's what I do. |
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live rig:
studio rig:
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130 gauge strings tuned to B E A D
ernie ball musicman stingray 4 string (1990)
big muff distortion pedal
hartke 3500A into
peavey 2000 watt power amp into
ampeg 410 SVT Classic (two when playing live)
i can get 28hz out of this set up at 110db. i'll be upgrading to 2 410 HLFs which will give me 26hz at 120db. |
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Gutiar:
ESP Horizon II (Duncan JB/59)
Ibanez RG7620 (DiMarzio Evo/Air Norton)
Jackson DK2M (To be mine at the end of the month, i'll be swapping the stock Duncan JB/Jazz for Rio Grande Muy Grandes)
Peavey 5150 II (Loaded with JJ ECC83S's and 6L6GCs)
Furman PL-8
Korg DTR-1000
Rocktron Hush Super C
Ibanez TS-7 (Modified to TS808+, used as boost only)
Crate BV412SV (Vintage 30s)
Marshall 1960B (G12T-75s)
Sennheiser e609 (Kills an SM57 any day of the week)
Bass:
OLP Stingray 5 (To be loaded with a Duncan SMB-5)
Ibanez RB690
Hartke HA3500
Unknown Model Trace-Elliot 4x10
and only more to come.
ALL HAIL TEH ALMIGHTY GEAR SNOBBERY
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DrewBlood said: big muff distortion pedal |
Essential.
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the pabst and zanni-bar kills anything listed here. |
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DrewBlood said: 130 gauge strings tuned to B E A D
ernie ball musicman stingray 4 string (1990)
big muff distortion pedal
hartke 3500A into
peavey 2000 watt power amp into
ampeg 410 SVT Classic (two when playing live)
i can get 28hz out of this set up at 110db. i'll be upgrading to 2 410 HLFs which will give me 26hz at 120db. |
Not that it will make much of a perceptable difference. To the best of my knowledge, low B on a bass guitar is well above 28Hz. Either way, if you want really tight low end you should consider a cab with 15 or 18 inch speaker(s) in it.
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the_reverend said:
why do you have three of them? |
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here is some of my gear. |
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Me with the Fender Showmaster Scorpion Strat(discontinued I think)
Marshall AVT 150 Half Stack
Ibanez Tone Blaster Half Stack
Jim Dunlop Crybaby Wah Pedal
Fender picks
D'Addario strings, 13 gauge
Monster cables
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Saxomophone
Through the Moogerfooger
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1979 LP custom with a floyd
1999 LP Classic both with 81's in bridge
mesa single rec solo. no mods.
vht cab.
bogner cab.
tortex 1.mm
XL 10-52's
L.A. Gear wristbands |
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hybrid said:
what he's not telling you, is that there are gerbils in his ass.
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Spector Performer 5, tuned B-E-A-D-G
Ibanez SRX 705, tuned D-G-C-F-Bb
ESP f-204, tuned to whatever I feel like playing in
MXR Bass DI+
Boss V-Wah
Morley Lil' Alligator Volume Pedal
Ampeg B2R rack head (soon to be upgraded to an SVT 3PRO)
Ampeg SVT 1X15 cab
Ampeg B series 4x10 cab
Korg Rack tuner
With monster cables connecting everything
....and an Undertaker action figure sitting atop my amp |
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Gibson SG special faded electric guitar (lefty)
Ibanez RG series electric guitar (righty)
Alvarez acoustic guitar smashed on the floor (lefty)
Sovtek MIG-60 tube head (its been seriously modified hence the 60)
Marshall valve-state head (in the spirit Chuck Schuldiner )
Marshall cab 4x12
(when I'm not losing them) Jim Dunlop nylon picks
Monster Cables
Thisthreadisgay
Zoom effects pedal (for the Sovtek, althought it does have a Hi-gain distortion channel it lacks the bite I need for modern metal but its great for drone and rock)
D'Addario strings
Crybaby wah pedal for a door stop
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I have to ask the people who use noise reduction racks/pedals in front of their amps, do you really think its worth it? you are just putting BAD sounding circuits (yeah those $100 pedals, that are mass manufactured in japan, don't really take into acount preserving signal quality) in the signal path from your guitar to your head. especially the people playing through nice gear!
i don't mean to be a dick and call you out, but brian dc, you are running a MH-1000NT into a a/b box into a noise reduction pedal (ugh) into one of the best sounding, high gain, botique amps ever! are you using that much gain that you have serious noise problems?!? i play through a bogner uberschall (which has some fucking gain!!!) and have no problems with feedback or extranious noise.
whatever, im not trying to be an asshole, just being a gear snob! haha
maybe we can have a intelligent conversation about this shit!?!
p.s. monster fucking BLOWS!!!!!!!!!!!!!!!!!!!! MOGAMI all the way!
blue said:
ALL HAIL TEH ALMIGHTY GEAR SNOBBERY
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I dont understand why anyone would want to reduce the noise, I love the noise! |
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abhorred said:
I have to ask the people who use noise reduction racks/pedals in front of their amps, do you really think its worth it? you are just putting BAD sounding circuits (yeah those $100 pedals, that are mass manufactured in japan, don't really take into acount preserving signal quality) in the signal path from your guitar to your head. especially the people playing through nice gear!
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Very, very good point.
I used to use a Boss NS2.
Its decay flat out sucked.
The Decimator pro rack is amazing.
It suppresses up AND down strokes, and knows the difference.
Definitely the best NR out there.
I guess its also why its almost 500 bucks.
Totally worth it, IMO. |
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abhorred said:
I have to ask the people who use noise reduction racks/pedals in front of their amps, do you really think its worth it? you are just putting BAD sounding circuits (yeah those $100 pedals, that are mass manufactured in japan, don't really take into acount preserving signal quality) in the signal path from your guitar to your head. especially the people playing through nice gear!
i don't mean to be a dick and call you out, but brian dc, you are running a MH-1000NT into a a/b box into a noise reduction pedal (ugh) into one of the best sounding, high gain, botique amps ever! are you using that much gain that you have serious noise problems?!? i play through a bogner uberschall (which has some fucking gain!!!) and have no problems with feedback or extranious noise.
whatever, im not trying to be an asshole, just being a gear snob! haha
maybe we can have a intelligent conversation about this shit!?!
p.s. monster fucking BLOWS!!!!!!!!!!!!!!!!!!!! MOGAMI all the way!
blue said:
ALL HAIL TEH ALMIGHTY GEAR SNOBBERY
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There are a few issues with the ENGL that make me go the route that I do.
The first thing is that the built in Noise Gate is not organic enough, AT ALL. The fact that it has a built in Noise Gate leads me naturally to my next point.
The reason why there is a built in noise gate is that without it, the ENGL is obnoxiously noisy and almost unplayable at loud volumes. I got the ISP because it is the only supressor that can actually kill the noise on the ENGL without it sounding like someone switched off the circuit, cutting off chords or notes held for a long interval, etc.
The other issue about the ENGL is that in a non-miced environment a lot of the amps positives become it's negative. It is a very smooth, high gain amp. It is one of the things I love about it. However, to get a quality mid-cut out of it, you end up losing a lot of overall tone. So, my solution was to continue running my Dual in tandem with it at a lower volume. It sort of picks off where the ENGL leaves off in big rooms.
About the a/b stuff. I have been contemplating cutting out the Mesa part of my rig. And for club shows, I only use the ENGL with the a/b still so that I can keep my tuner out of the ENGL's loop. (By the way, the tuner is never in the ENGL's loop, I keep it in the Mesa loop because it's lower volume and really only there to carry my parts further in the room). I need to have the tuner at my beck and call live because of the fact that I don't play a Floyd and it does go out of tune. I understand that there is a slight effect on my signal because of this. But I also understand that other people listening really don't care about that. By the way, I have played straight into the amp, and it is just a subtle difference.
I am thinking about only running the ENGL alone today in practice and trying that out, but still through both cabs of course. |
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oh, don't read any of that as sensitive defensive. I'm just explaining my logic. |
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oh. And I keep my gain on about 9 o'clock (3 if you think 0-10) So it's not the adjustable gain that creates the noise. I don't know why they can't defeat that problem. |
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its beckoned call, beckoned.
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abhorred said:
I have to ask the people who use noise reduction racks/pedals in front of their amps, do you really think its worth it? you are just putting BAD sounding circuits (yeah those $100 pedals, that are mass manufactured in japan, don't really take into acount preserving signal quality) in the signal path from your guitar to your head. especially the people playing through nice gear!
i don't mean to be a dick and call you out, but brian dc, you are running a MH-1000NT into a a/b box into a noise reduction pedal (ugh) into one of the best sounding, high gain, botique amps ever! are you using that much gain that you have serious noise problems?!? i play through a bogner uberschall (which has some fucking gain!!!) and have no problems with feedback or extranious noise.
whatever, im not trying to be an asshole, just being a gear snob! haha
maybe we can have a intelligent conversation about this shit!?!
p.s. monster fucking BLOWS!!!!!!!!!!!!!!!!!!!! MOGAMI all the way!
blue said:
ALL HAIL TEH ALMIGHTY GEAR SNOBBERY
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d0000000d youre the one that uses a DUNCAN DESIGN loaded rhoads through an uberschall. |
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powerkok said: its beckoned call, beckoned.
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yeah, my bad |
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d0000000d youre the one that uses a DUNCAN DESIGN loaded rhoads through an uberschall. |
nows thats the pot calling the kettle black. |
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and no matter how hard you try, you could never convince me that Monster cables 'suck'.
Thats just plain silly. |
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Troll said:
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The funny thing about that creepy van picture is the unsuspecting child walking by.......Think his picture adorns a milk carton? |
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I don't mind monster cables, I prefer Planet Waves though, especially because of the nifty on/off circut breaker switch on my guitar cable |
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powerkok said:
d0000000d youre the one that uses a DUNCAN DESIGN loaded rhoads through an uberschall. |
nows thats the pot calling the kettle black. |
haha
ok, ok touche sirs! in my defense, i don't like to drop my les paul down the minor third to play out with abhorred then have to switch strings and move the bridge after every gig to get it back to standard for school, it has no trem system, and im wicked parinoid about taking that anywhere. ive already had two guitars either walk away or break away from home. and i spent all my money on the bogner and can't afford a new guitar haha
and if you want to go even further tearing apart my setup, the 1960A's are a really harsh sounding cabinet. the black shadow loaded full back mesa straight cabinet is on my wish list.
but aside from the signal degradation, i just never liked a noise gate and never really needed one. i can have my amp with my master volume at about 3 o'clock, my channel volume at about 2, and my gain at 3 and not have any squealing problems. |
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pushed my 2 cabs with just the ENGL at practice last night and I definitely am liking that better than the two amp combination.
This means that I need to find a use for the Mesa...I don't want to sell because I do love that amp. Normally I don't like Mesa's and I managed to buy one that I like when I was 18...I also think there is a sentimental attachment. I do have a spare Ampeg 4x12...I could have an incredibly excessive practice amp! |
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if you do decide to sell it, i've been thinking about buying one. |
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Jackson Randy Rhoads USA neckthrough, same paint, but I have the floyd rose instead of the through body strings
JSX™ Joe Satriani Signature Head
Item # 00575450
MSRP: $1,599.99
Peavey and Joe Satriani set out to create an amplifier that would give the widest range of EQ options and gain structures possible. This amp delivers sounds ranging from the Classic 50 to vintage British to the modern Triple XXX and all tones inbetween.The versatile and comprehensive control section supplies a master volume pot and independent volume knobs for each of the 3 channels (Ultra, Crunch and Clean). Tone shaping is accomplished through passive controls for Bass, Mid and Treble on the Clean channel, while the Ultra and Crunch channels utilize active low, mid and high controls. The Clean channel is pristine yet warm and is specifically voiced to work well with effects pedals. The Ultra and Crunch channels have gain controls and fat switches to further assist in taming this thunderous tube-powered beast while achieving killer sound.Global resonance and presence knobs increase control of high-end tones, while a noise gate on the Crunch and Ultra channels cuts down on the excess noise generated by running the gain and EQ controls on high settings. Since the gate is fully adjustable, you can really clamp down, leave it slightly open or just turn it off.
Features
120 watts into 16, 8, or 4 ohms (switchable)
Four EL34s and four 12AX7s
Power amp switchable to use EL34s or 6L6GSs
Three footswitchable channels
Clean channel: volume, bass, mid, treble
Crunch channel: gain and volume, bass, mid, treble EQ and FAT switch
Ultra channel: gain and volume, bass, mid, treble EQ and FAT switch
Noise gate control for both distortion channels
Master volume
Footswitchable effects loop with send and return controls
Resonance and Presence controls
Line out with level control
Footswitch included
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That amp owns (as you crazy kids would say) |
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Monday you can ad a mesa pre amp to my gear. |
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99-Tama Starclassic Custom maple- Marine Blue Fade-10ply.
2-20"X20" kicks
10"X10" tom
12"X11" tom
13"X12" tom
14"X13" tom
16"X16" floor tom
Tama Starclassic Maple-Sunburst
14"X6" snare-10ply
20"-Zildjian A Ping ride
14"-Zildjian A custom hats
17"-Sabian AA Xplosion crash
2-14"-Sabian AA Xplosion crash's
6"-Zildjian Zilbell.
6"-Sabian B8 splash
2-12"-Wuhan china's
14"-Sabian HHX Evolution mini china
All drums & cymbals mounted on
Gibralter Rack. Including custom legless
snare stand. Rack holds everything but,
Kicks & flr tom.
2-Axis-Longboard pedals w/sonic hammers
& EKIT triggers.
Alesis DM5- trigger module.
Alesis Studio12 line mixer.
Furman power conditioner.
SKB 6 space rack.
Evans heads on toms & kicks.
Remo K-Fallam kevlar head on Snare.
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- Gibson LP special, w/p90's (1991)
- Gibson LP studio, (2001)
- 1980 peavey 4x12
- Crate 4x12 (both straight cabs)
- Crate gtx-130c amp
(soon)
Marshall 70's Plexi through a 5150 Cab. |
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death2all, i like your drum set up. That would sound great in a wooden studio room....! |
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Updated pic of my rig.
and my new SG, which I love.
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Troll said:
aaaaahahahahahahaha
*best post in the entire thread! |
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Vtm 60 all tube head peavey
marshall jcm-900
gibson les paul special
a bunch of cabs |
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for Cwaf:
Mann P_bass copy with Seymore Doogan pick-up
Monster Cables
Pro-Co Rat
Morley Power Fuzz Wah
DOD delay, analog, the old light blue one with 3 knobs
1mm nylon pick
GHS Boomer 105's
for Kevorks:
1963 reissue Epiphone Firebird Mach VII
Monster Cable
Crate 220 watt solid state head
Carvin 4X12
1mm nylon picks
other shit i have:
Fender acoustic
Fender Bronco 15 watt amp
Fender Squier Strat
Epiphone mid 90's P-bass style body with 62 Fender reissue neck, named Frankenzappa
assorted broken pedals and mics
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My rig at the moment:
Primary:
Dean Michael Schenker V Standard (except a Dimarzio X2N pickup put in the bridge.)
Backup:
Ibanez RG2EX1 (except a Dimarzio X2N pickup put in the bridge.)
Peavey 5150 straight cab modified to have a metal grille on it and it's encased in a hardshell case.
Rack Gear:
FURMAN PL-PLUS II Rack-Mount Power Conditioner
Digitech 2101 pre-amp
BBE 482 Sonic Maximizer
Marshall Valvestate 8008 80/80 power amp (except I own the one with the black faceplate)
Digitech Control One for a foot controller for pre-amp.
Speaker cable: moster
Instrument cables: Generic (my monster cables got stolen.)
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bass:
except mine is black
amp:
thats that |
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Bass:
ESP C-304
Amp:
Ampeg SVT-3 Pro
Ampeg BSE410HLF 4x10 cab
Pedals:
Boss Bass Overdrive (never use it)
Ibanez Bass Synthesizer (rarely use it)
Guitar:
ESP H-200
Guitar Amp:
Shitty little Fender 1x12 combo, but it sounds pretty decent |
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Don't buy seeds from the above link they are not feminized, you must berate them and tell them how other seeds are purposely blocking them from forming a taproot. |
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Guitars:
Gibson Sg standard
Gibson les paul studio
Fender telecaster
Some old Jackson
Kramer Dz aluminum neck
Peavey T-40 bass
Amps:
Sovtek Mig100
Sound City 120R
Ampeg V-4B
Earth Producer 100
Acoustic Control Corp 370
Sunn concert lead
Sunn beta lead
Sunn concert slave
A bunch of gorilla practice amps
Cabs:
Atlas 6x12
Worshiper 4x12
Worshiper 4x12
Worshiper 9x10 like he old ampeg 9x10
Sunn 6x12
Sunn 2x15
Sunn 4x12
Avatar 4x12
Acoustic control corp 1x18
Swr 6x10
Too many pedals and other stuff to list
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Don't buy seeds from the above link they are not feminized, you must berate them and tell them how other seeds are purposely blocking them from forming a taproot. |
Nirvana Seed Shop: Aurora Indica, Jock Horror, Lithium OG Kush, Raspberry Cough. 10/10
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Only attitude seedbank is real |
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good results with nirvana seed co. over here |
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